Kim Paice

Kim Paice is a writer with expertise in modern and contemporary art and culture. Her transdisciplinary research spans curatorial work and writing, and deals with posthumanism, art, material culture, science, and the Anthropocene era. She has written about contemporary art and political-juridical aspects of society, contemporary feminist video art and Web art, the post-studio era, and the works of SIMPARCH, Simon Leung, Robert Morris, and Philippe van Snick.
She has authored essays for art on paper, Art + Text, n.paradoxa: International Feminist Art Journal, World Art, Reconstruction, Drain: Journal of Contemporary Art and Culture and for exhibition catalogues: Marianne Boesky Gallery (New York) and Arndt & Partner (Berlin), Stux Gallery (New York), Moore College of Art and Design (Philadelphia), bkSM Cultuurcentrum (Strombeek), De Garage (Mechelen), the Lieven Gevaert Research Centre for Photography and Visual Studies (Leuven), and the Solomon R. Guggenheim (New York). Paice has lectured widely in the US and in Europe: at post-graduate academies, including The Jan Van Eyck Academie (The Netherlands) and Goldsmith’s College (Great Britain), as well as at the University of Antwerp (Belgium), University of California, Los Angeles, the University of Iowa, and the University of Austin.
Paice completed her doctoral work, studying closely with Rosalind Krauss and Stanley Aronowitz, at the Graduate School and University Center of CUNY.